Two stories, "Martha, Martha" and "Hanwell in Hell", both originally published in literary mags (
Granta and
The New Yorker respectively), and both very English indeed in that 'hanging on in quiet desperation' sort of way. I don't think they quite work - Smith's strength is in polyglot exuberance and energy, not this comparatively joyless, drab, small-moments-of-partial-redemption-and-barely-so-at-that style. But not a dead loss, either, and far be it from me to complain simply because her attempts to stretch herself aren't 100% successful at this stage.