I need a crowd of people, but I can’t face them day to day …
Lots of great songs on it, but it’s the album’s crushingly sad centrepiece, “On The Beach” itself, which I’ve most taken to heart, Neil’s voice wavering as the instruments do the same, whether beneath the anomie-infused lyrics or (in the case of the guitar) coming to prominence with a ruminative, almost deathly stark solo, trailing off into the all-consuming plod of the bass and percussion. ‘Crushingly sad’, I said a minute ago, and it is that, but it’s also impeccably restrained with it — which, of course, adds to rather than detracting from the overall effect. There’s no simple emotional wallowing or messy splurging of angst here — but rather a bleak, almost peaceful holding-in of oneself as the world keeps on turning.
Though my problems are meaningless, that don’t make them go away …
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