Saturday, May 16, 2009

100 favourite albums: # 16: Boxer - The National

... imbued with whatever it is that sets a rock and roll record apart and marks it as something a little bit transcendent ... a future classic ... It has a resonance that can't be mistaken.

Every single song on
Boxer is good, and it's perfectly sequenced, its individual tracks subtly reflecting and building upon each other as they go, the whole much more than the sum of the parts. The album leads off with one of its clear highlights, the downbeat anthem "Fake Empire", at once totally contemporary chamber-pop influenced indie rock and classicist synthesis of the several pop music strands to be heard wrapped up in its sound, and then kicks it with the propulsive surge of "Mistaken For Strangers" before rounding off its first suite with the one-two of the murky, lovely brood of "Brainy" (very different sounding from its immediate predecessor on the record, but wreathed in the same post-punk aesthetic) and "Squalor Victoria" 's faster-paced but equally haunted rockisms.

Then,
Boxer's dark, velvet heart, "Green Gloves" and "Slow Show": the first mysterious, subterranean and never quite resolving; the second providing the payoff, its coda - "you know I dreamed about you for 29 years before I saw you" - delivering one of the album's most apparently straightforward emotional payloads, yet in a way which still leaves one suspended somewhere between anticipation and resolution.

After that, "Apartment Story", another contemporary take on the Springsteen thing (see also "Keep The Car Running"), and done well, and then two deceptively low-key tracks, "Start A War" and "Racing Like A Pro", separated by probably the album's sprightliest moment (at least on purely musical terms), "Guest Room" ... anyhow, those two - "Start A War" and "Racing Like A Pro" - while not immediately memorable, turn out to be two of the deepest running songs on the record, and certainly two of those which I most commonly find echoing in my head...after which the band brings it home with the relaxed elegance of "Ada" and "Gospel", not stretching for anything over and above the rest of the album but instead finding the ideal way to wind things up in light of what has come before, on a gentle decline in which things continue to unfurl and re-ravel.
- 1/9/08