Anne Ferran's ghostly photogram images of individual items of clothing, suspended in the dark
Deborah Paauwe's "Double tresses", a cryptic image of two girls locked in an embrace, their long hair obscuring their faces (she says: "I aim for an enduring air of the unresolved")
Annie Hogan's "Comfort", two images of the same empty room, sea-blue walls, light and shadows
Jane Burton's "Number 1" and "Number 2", two Lynchian shots of a murky underground carpark, one with a plainly dressed woman (white blouse, black dress, I think) and one without
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