This movie was already giving throwback vibes even before Danny Elfman's name shows up in the opening credits - its gleefully black comedic energy, sustained right through to its fourth wall-breaking end (Rachel McAdams eyeballing the camera to really drive home the point that no one else is going to help the oppressed against the powerful), feels like something fun a bygone decade ... the 80s/90s I guess. It's entertaining, including the gruesome bits.
