Tenet

Tenet ... the story mechanics are hard to follow, the emotional core's difficult to find (indeed it's split, between Kat and her child (and Sator), and the Protagonist and Neil) and once it's found it lands more intellectually than in a way that's actually felt ... and the sound mixing doesn't help. There's still something to it, as there is with all Nolan's films but I still think it doesn't quite work. (first watch)

The Great season 3

If anything, even better than the first two seasons. The Great has a mode all of its own and it's fizzingly irreverent, profane and sharp-toothed without ever being fundamentally mean, to its principals or in its worldview - for all of the many flaws of its large cast of characters and the society they participate in, you always feels the show kind of loves them. Once in its rhythms, it's absorbing.

Solvej Balle - On the Calculation of Volume (Book I)

In its accretion of everyday detail, this intriguing first volume works with the idea of the infraordinary, which I've been drawn to since first encounter - and puts the technique to a new and apt use, as its narrator lives and re-lives the same day over and over, the eighteenth of November. 

The concept has an inherent interest - what are the rules, how will the protagonist's engagement with their stuck-ness evolve, where is the narrative tension? And here it's coupled with some meaningful reflection on the nature of all of our lives in time - our isolation and (inevitable) solipsism amidst the relationships and ties we have with others, our relationship to the world and our consumption of it (coming to see herself as a monster for the way that things she consumes are removed forever, and her partner as a ghost - ever repeating the same day from her point of view - who inhabits her own life).

I liked it, maybe not enough to continue reading - but maybe.

"The Veil" (Buxton Contemporary)

Works by six artists, exhibition themed around liminal spaces in the world, particularly through portals to the spirit world. Most impactful for me were Hayley Millar Baker's three black & white video pieces, each overtly grounded in Aboriginal femininity and working on me as portals in another sense, drawing me into their worlds and into reflection on my self.

from "Nyctinasty", 2021

from "The Umbra", 2023 - an encounter between two young women, night-time

"French Impressionism from the Museum of Fine Arts, Boston" (NGV International)

I remember some of these from my visit a few years back and, more particularly, from the NGV's own exhibition of French impressionism from the MFA Boston as recently as 2021. 

This current exhibition at the NGV gives a lot of emphasis to the close-to-contemporary influences on French impressionism, along with some earlier as well as more representative works from all the expected figures. In this context, the 'almost-too-much' of Renoir sometimes tipped into too much and somehow the effect of the many Monets was more muted than usual while still providing many of the highlights - though maybe that was my frame of mind? 

Most of the highlights were those I'd seen previously - along with several of the Monets, Cezanne's 'Fruit and a jug on a table' (c 1890-94) was once again a particular standout.

"Black In-Justice: Incarceration and Resilience" (Heide Museum of Modern Art)

The first section is focused on the systemic drivers of the over-incarceration of Aboriginal and Torres Strait Islander people, and the second on art that enacts and celebrates the strengths of culture and peoples including art by people with experience of imprisonment. Plus a third focused on Pentridge and The Torch program. Collectively lands with plenty of power.

Melissa Bell - "The Murray River" (2024)

Mission: Impossible - The Final Reckoning

It wasn't long ago that I refreshed on the whole series, and - as it's increasingly foreshadowed as it's gone on - that's just as well because this 'final' instalment goes heavy on trying to tie together everything that's gone before. And you know, it's basically good entertainment even though it does feel weighed down both by the cumulative amount of story that it's trying to smooth out in some kind of thematically and narratively satisfying way, and by a prevailing air of thudding seriousness. The action's tense - both the fights and the big set pieces - and the characters (major and minor) pretty much all have some level of charisma and likeability. So.

Megan Moroney - Am I Okay?

The title song's a killer, first up on the album, fizzily euphoric with just an undercurrent of melancholy. There are some other good moments here too, and if the glossy country-ish sound isn't that distinctive, well there's a reason why I like it so much.

Ellen van Neerven - Personal Score

Personal Score feels all of a piece, unified by the way van Neerven writes the connections between Country, their own story and the other through-lines of sport (football ie soccer), identity, culture and colonisation. They're a wonderful writer, in this form as in their short fiction and poetry, which has struck me whenever I encountered it - and memorable in person also. It's an illuminating and engaging book, filled with ideas, passages and connections that I want to retain.

The Old Guard 2

The first one was good, this one isn't. Leans too much on the first and its desire to set up for a third. I like how strongly it centres female characters though.