When you know that an artist is capable of a perfect song, and especially by working basically their standard vein rather than through some kind of out of the box different mode - and Kishi Bashi is, as evidenced by the joyous "Manchester" - it's hard to not hope for a reprise ever after. Omoiyari doesn't have any individual heights to match that earlier peak (from 151a), but it's fairly terrific in general - sweetly melodic, textured, lightly orchestrated pop music which I enjoy most in its most dramatic and violined moments.
