A lurid, enjoyable blast. An adaptation of the Wilde play, Salome essayed by a man and John the Baptist by a woman, and that's the beginning rather than the end of the gender-bending in a production that has more than a hint of the burlesque to it, not to mention 80s music interludes (eg Alice Cooper's "Poison").
(w/ Meribah)
(w/ Meribah)
